It was a terrific book, I thought, for it revealed the South as I knew it and lived it.
And therein lies the controversy surrounding the work.
There is only one perspective portrayed in both the book and the movie, the perspective of white people. Black women are portrayed as one-dimensional, stereotypical ‘characters’ – not as real flesh and blood people with families, feelings, hopes, and dreams of their own.
The Association of Black Women Historians released a statement about The Help: “Despite efforts to market the film as a progressive story of triumph over racial injustice, The Help distorts, ignores, and trivializes the experience of black domestic workers. We are specifically concerned about the representations of black life and the lack of attention given to sexual harassment and civil rights activism.” I commend to you the rest of the statement made by Black women scholars who speak the truth of another perspective. It can be viewed at the website named below.
In an interview with NPR Stockett responded to the controversy surrounding her book: “I’m a Southerner — I never take satisfaction in touching a nerve,” she says. “I guess if I’m forced to find a good side, I’m glad that people are talking about an issue that hasn’t really been discussed all that much. I’m glad that people are talking about it from the black perspective and the white perspective.”
So it is cause for rejoicing when something comes along that raises hackles and polarizes opinions, stirring up passionate quarrels, both private and public, in which more seems to be at stake than who liked what. The ardent embrace or skeptical dismissal of certain films can feel less like a matter of opinion than of principle, and to talk about them is not so much to compare contrasting impressions as to engage opposing positions. Love it or hate it. You might be ambivalent or confused, but you can’t be neutral. Mixed feelings are strong feelings.
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